2024

• Roman Holiday: Calligraphy and Lettering Arts Conference, Chicago Calligraphy Collective, St. Ambrose University, Davenport, Iowa, June 22-29, 2024

2023

• Massimo Polello and Kitty Sabatier, Shape, Color and Composition: 18th Annual Residential Workshop, Palaia (Pisa), May 20-25, 2023
• Michael Gold, Building Structures Online, Calligraphy Italia, May 17, 18, 2023
• Massimo Polello, Calligrafia e Letterpress (Calligraphy and letterpress), La Fabbrica delle Parole (Printing Museum), Lecce, Puglia, April 14-16, 2023
• Simon Goode & Kate Rochester, Making Books Spring School, London Centre for Book Arts, London, March 27-31, 2023

2022

• Riccardo Ali, Bensfolk-Mania: Freedom of letters, Online, Calligraphy Italia, December 29, 2022
• Monica Dengo, A Bridge Between Drawing and Writing (PDF), Venice, December 2-4, 2022
• Silvia Mandelli, AlphabetiAMO, Online, Calligraphy Italia, November 16, 23, 2022
• John Stevens, Capital Immersion, Online, April 23 & 30, May 7 & 14, 2022
• John Stevens, Brush Roman, Online, April 2022
• Judy Detrick, Elizabethan Secretary Hand, Online, Society for Calligraphy, San Diego Chapter, March 6, 13, 20, & 27, 2022

2021

• Pointed Pen, Online, October 16 & 23, 2021
• Stuart Hill, More Japanese Bookbinding, Online, The Japanese Paper Place, September 18, 2021
• Susan Ito, Online, July 31, 2021
• Legacies III International Lettering Arts Conference 2021, Online, Texas Lettering Arts Council, July 3-11, 2021
• Christopher Haanes, Online, June 1, 8, 15 & 22, 2021
• Michael Sull, The Spencerian Saga, Online, May 3, 10, 17 & 24, 2021
• Lynne Yun, The History and Art of Flourishing, Online, February 21, 2021
• Christopher Haanes, The Lost Arch: From Basics to Diversity, Online, Society of Scribes, February 7, 14 & 21, 2021
• Brody Neuenschwander, online, February 1, 8 & 15, 2021
• Ewan Clayton, David Jones: Drawn and Painted Letters, Online, Society of Scribes, January 23 & 30, 2021
• John Stevens, Blackletter Advanced, Online, January 9, 16, 23, & February 6, 2021

2020

• Elmo Van Slingerland, Roman Minuscules: A Refined “Foundational” Hand, Online, Society of Scribes, November 21, 28, December 5, 2020
• Massimo Polello, Corsiva Romana: the origin of cursive, Online, November 7, 14, 21, 2020
• Heather Held, Italian Hand: The Poetic Pen, Online, Pointed Pen Collective, October 11 & 18, 2020
• Luca Barcellona, A Journey into Blackletter, Online, Society of Scribes, October 3, 10, 17, 24, & 31, 2020
• John Stevens, Italic & Variations, Online, October 3, 10, 17, 24, & 31, 2020
• Ann Miller, Runic Writing, Online, The Friends of Calligraphy, August 28 & 30, 2020
• Julie Wildman, Variations on Akim, Online, August 17, 18, & 19, 2020
• An Vanhentenrijk, Inside Kalliandra, Online, Calligraphy Italia, August 17 & 18, 2020
• Joy Daniels, Copperplate, Online, Pointed Pen Collective, August 15 & 16, 2020
• David Gasser, On the Shoulders of Giants: a (re)introduction to the Roman Majuscules, Online, Calligraphy Italia, July 28 & 29, 2020
• Amity Parks, Chunky Caps, Online, July 22 & 23, 2020
• Meredith Klein, Charm of Finches: Uncial & variations, Online, The Friends of Calligraphy, July 21, 28, Aug. 4, 11, 18, 25, & Sept. 1, 2020
• Dao Huy Hoang, Enchanting Light Italic, Online, Calligraphy Italia, July 14 & 15, 2020
• Massimo Polello, Calligraphy Composition & Background, Online, July 13, 14, & 17, 2020
• Carol DuBosch, The Juicy Line (contemporary “Bone” script), Online, Calligraphy Italia, July 10 & 11, 2020
• Yukimi Annand, Text and Texture: Random Weighted Letters with Folded Pen, Online, Calligraphy Italia, June 29 & 30, 2020
• Andrea Carrer, Let’s Goth, Online, Calligraphy Italia, June 25 & 26, 2020
• Amity Parks, Exploring Bister Inks, Online, June 17, 2020
• Ali Riccardo, Expressive Brush Pen, Online, Calligraphy Italia, June 13, 2020
• Elmo Van Slingerland, The Crispy Line (Roman majuscules with the broad pen), Online, Calligraphy Italia, June 6 & 7, 2020
• Massimo Polello, Brush Pen Lower Case Variations, Online, May 30, 31, June 1, 2020
• Paul Antonio, The Geometry of Flourishing, Online, Calligraphy Italia, May 30, 2020
• Massimo Polello, Brush Pen Capital Variations, Online, April 25, 26, 27, 2020
• Loredana Zega, Flame Script, Online, April 9, 16, 24, 30, May 7, 2020
• Miriam Jones, Introduction to Italic Calligraphy, Saint John Arts Centre, March 10, 17, 24, 31, April 7, 14, 2020 (NB: interrupted by pandemic and reoffered Sept. 2, 9, 16, 23 & 30, 2020)

2019

• Rendez-vous, the 38th International Calligraphy Conference, Bishop’s University, Sherbrooke, PQ, June 29 – July 6, 2019. Classes attended: Julien Chazal, La Chancelière dans tous ses états and Calligraphie, traces et compositions.

2018

• Marcus Kingston, The Lost Art of Calligraphy and Penmanship, New Brunswick College of Craft and Design, Fredericton, November 24, 2018.
• Seattletters, the 37th International Calligraphy Conference, Western Washington University, Bellingham, WA, July 14 – 21, 2018. Classes attended: Massimo Polello, Cadel Letters, Modern Beauty and The Fullness & Emptiness.
• Anna Ronchi, Maiuscole dell’italico: linea alla decorazione (Italian uppercase: line to decoration), Associazione Calligrafica Italiana, Milan. June 16–17, 2018
• 2018 Fisher Library Summer Seminar: Introduction to Descriptive Bibliography, Thomas Fisher Rare Books Library, University of Toronto, June 4–6, 2018

2017

• The 68th Annual Conference of the International Association of Master Penmen, Engrossers, and Teachers of Handwriting (IAMPETH), Louisville, KY, July 10–15, 2017. Workshops attended: Bill Kemp, Spencerian Script; Yumie Tanaka, Ornamental Penmanship; Bob Hurford, Split Pen; Heather Held, Italian Hand; Jen Grove, Secretary Hand.
• LetterWorks Arts, the 36th International Calligraphy Conference, Ogden,Utah, June 24– July 1, 2017. Classes attended: Sheila Waters, Gothicized Italic and Modern Batarde and Modernizing Carolingian & Uncials.
• Harvest Crittenden, Beginning Spencerian, Acorn Arts, January–February 2017.

2016

• SSI [Society of Scribes and Illuminators] Calligraphy Correspondence Course, Tutor: Gillian Hazeldine, Unit 1: December 2016
• Bob Morouney, Copperplate Etching, Saint John Arts Centre, November 26–27, 2016
• Kathy Milici, Divine Flourishes, Society of Scribes, New York, July 24, 2016
• Sarah Bryant, Introduction to Letterpress Printing, London Centre for Book Arts, London, June 18, 2016
• Barbara Calzolari, Brush Pen, MODO infoshop, Scrivere a Modo, Bologna, June 4–5, 2016
• Alex Barocco, Experimental Brush Pen (PDF), Associazione Calligrafica Italiana, Verona, May 21–22, 2016
• Barbara Calzolari and Tiziana Gironi, Dropcaps, MODO infoshop, Scrivere a Modo, Bologna, May 6–8, 2016
• Barbara Calzolari, Spencerian, MODO infoshop, Scrivere a Modo, Bologna, April 2–3, 2016
• Chiara Neviani and Stefania Giunchi, Punta tronca (Italic), MODO infoshop, Scrivere a Modo, Bologna, March 2, 9, 16, 2016
• Anna Schettin, Foundational hand (PDF), Associazione Calligrafica Italiana, Bologna, January 23–24, 2016
• Paola Bontadini, weekly private tutoring in Engrosser and Spencerian scripts, Bologna, January–June 2016

2015

• Barbara Calzolari, Engrosser Script, MODO infoshop, Scrivere a Modo, Bologna, December 5–6, 2015
• Monica Dengo, The art of handwriting, Museum Correr Library/Ca’ Pesaro International Gallery of Modern Art, Venice, October 2–8, 2015

2014:

• Laura Di Piazza, Introduction to Copperplate, Society of Scribes, New York, December 13–14, 2014