Monica Dengo, The art of handwriting, Museum Correr Library/Ca’ Pesaro International Gallery of Modern Art, Venice, October 2–8, 2015 (photo: Miriam Jones).
Monica Dengo, The art of handwriting, Museum Correr Library/Ca’ Pesaro International Gallery of Modern Art, Venice, October 2–8, 2015 (photo: Miriam Jones).
Monica Dengo, The art of handwriting, Museum Correr Library/Ca’ Pesaro International Gallery of Modern Art, Venice, October 2–8, 2015 (photo: Miriam Jones).
Monica Dengo, The art of handwriting, Museum Correr Library/Ca’ Pesaro International Gallery of Modern Art, Venice, October 2–8, 2015 (photo: Miriam Jones).
Monica Dengo, The art of handwriting, Museum Correr Library/Ca’ Pesaro International Gallery of Modern Art, Venice, October 2–8, 2015 (photo: Miriam Jones).
Monica Dengo, The art of handwriting, Museum Correr Library/Ca’ Pesaro International Gallery of Modern Art, Venice, October 2–8, 2015 (photo: Miriam Jones).
Barbara Calzolari’s logo for her workshop on Engrosser script, Centro Sociale Giorgio Costa, Bologna, December 5–6, 2015 (photo: Miriam Jones).
Barbara Calzolari’s workshop on Engrosser script, Centro Sociale Giorgio Costa, Bologna, December 5–6, 2015 (photo: Miriam Jones).
Barbara Calzolari demonstrates techniques at her workshop on Engrosser script, Centro Sociale Giorgio Costa, Bologna, 5/12/15.
Participants at Barbara Calzolari’s workshop on Engrosser script, Centro Sociale Giorgio Costa, Bologna, 6/12/15.
Anna Schettin, Foundational hand (PDF), Associazione Calligrafica Italiana, Bologna, January 23–24, 2016 (photo: Miriam Jones).
Anna Schettin, Foundational hand (PDF), Associazione Calligrafica Italiana, Bologna, January 23–24, 2016 (photo: Miriam Jones).
Anna Schettin, Foundational hand (PDF), Associazione Calligrafica Italiana, Bologna, January 23–24, 2016 (photo: Miriam Jones).
Anna Schettin, Foundational hand (PDF), Associazione Calligrafica Italiana, Bologna, January 23–24, 2016 (photo: Miriam Jones).
Anna Schettin, Foundational hand (PDF), Associazione Calligrafica Italiana, Bologna, January 23–24, 2016 (photo: Miriam Jones).
Chiara Neviani and Stefania Giunchi, Punta tronca (Italic), MODO infoshop, Bologna, March 2, 9, 16, 2016 (photo: Miriam Jones).
Chiara Neviani and Stefania Giunchi, Punta tronca (Italic), MODO infoshop, Bologna, March 2, 9, 16, 2016 (photo: Miriam Jones).
American calligrapher Michael Sull’s definitive work on Spencerian calligraphy, Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016 (photo: Miriam Jones).
From American calligrapher Michael Sull’s definitive work on Spencerian calligraphy, Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016 (photo: Miriam Jones).
Examples of addresses from American calligrapher Michael Sull’s definitive work on Spencerian calligraphy, Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016 (photo: Miriam Jones).
Examples of envelopes from American calligrapher Michael Sull’s definitive work on Spencerian calligraphy, Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016 (photo: Miriam Jones).
Examples of envelopes from American calligrapher Michael Sull’s definitive work on Spencerian calligraphy, Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016 (photo: Miriam Jones).
Practice, Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, 3 April 2016 (photo: Miriam Jones).
Examples of capital letters, Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, 3 April 2016 (photo: Miriam Jones).
Examples of signatures, Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, 3 April 2016 (photo: Miriam Jones).
Practice, Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, 3 April 2016 (photo: Miriam Jones).
Participants at Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, 3 April 2016 (photo: Miriam Jones).
Participants at Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016.
Spencerian workshop participants Edward Gardner and my calligraphy tutor, Paola Bontadini, at Centro Sociale Giorgio Costa, Bologna, 3 April 2016 (photo: Miriam Jones).
An example of Paola Bontadini’s penmanship (photo: Miriam Jones).
Barbara Calzolari and Tiziana Gironi, Dropcaps, MODO infoshop, Bologna, May 6–8, 2016 (photo: Miriam Jones).
Barbara Calzolari and Tiziana Gironi, Dropcaps, MODO infoshop, Bologna, May 6–8, 2016 (photo: Miriam Jones).
Barbara Calzolari and Tiziana Gironi, Dropcaps, MODO infoshop, Bologna, May 6–8, 2016 (photo: Miriam Jones).
Barbara Calzolari and Tiziana Gironi, Dropcaps, MODO infoshop, Bologna, May 6–8, 2016 (photo: Miriam Jones).
Barbara Calzolari and Tiziana Gironi, Dropcaps, MODO infoshop, Bologna, May 6–8, 2016 (photo: Miriam Jones).
Barbara Calzolari and Tiziana Gironi, Dropcaps, MODO infoshop, Bologna, May 6–8, 2016
Alex Barocco’s workshop on Experimental Brush Pen, Associazione Calligrafica Italiana, Verona, May 21–22, 2016 (photo: Miriam Jones).
Alex Barocco’s workshop on Experimental Brush Pen, Associazione Calligrafica Italiana, Verona, May 21–22, 2016 (photo: Miriam Jones).
Alex Barocco’s workshop on Experimental Brush Pen, Associazione Calligrafica Italiana, Verona, May 21–22, 2016 (photo: Miriam Jones).
Project from Alex Barocco’s workshop on Experimental Brush Pen, Associazione Calligrafica Italiana, Verona, May 21–22, 2016 (photo: Miriam Jones).
Barbara Calzolari demonstrates the brush pen, MODO infoshop, Bologna, June 4–5, 2016 (photo: Miriam Jones).
Barbara Calzolari’s examples, Brush Pen, MODO infoshop, Bologna, June 4–5, 2016 (photo: Miriam Jones).
Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016.
Sarah Bryant, Introduction to Letterpress Printing, London Centre for Book Arts, London, June 18, 2016 (photo: Miriam Jones).
Sarah Bryant, Introduction to Letterpress Printing, London Centre for Book Arts, London, June 18, 2016 (photo: Miriam Jones).
Project, Sarah Bryant’s Introduction to Letterpress Printing, London Centre for Book Arts, London, June 18, 2016 (photo: Miriam Jones).
Kathy Milici, Divine Flourishes, Society of Scribes, New York, July 24, 2016 (photo: Miriam Jones).
Kathy Milici’s examples, Divine Flourishes, Society of Scribes, New York, July 24, 2016 (photo: Miriam Jones).
