Monica Dengo, The art of handwriting, Museum Correr Library/Ca’ Pesaro International Gallery of Modern Art, Venice, October 2–8, 2015 (photo: Miriam Jones).Barbara Calzolari’s logo for her workshop on Engrosser script, Centro Sociale Giorgio Costa, Bologna, December 5–6, 2015 (photo: Miriam Jones).Barbara Calzolari’s workshop on Engrosser script, Centro Sociale Giorgio Costa, Bologna, December 5–6, 2015 (photo: Miriam Jones).Barbara Calzolari demonstrates techniques at her workshop on Engrosser script, Centro Sociale Giorgio Costa, Bologna, 5/12/15. Participants at Barbara Calzolari’s workshop on Engrosser script, Centro Sociale Giorgio Costa, Bologna, 6/12/15. Anna Schettin, Foundational hand (PDF), Associazione Calligrafica Italiana, Bologna, January 23–24, 2016 (photo: Miriam Jones).Anna Schettin, Foundational hand (PDF), Associazione Calligrafica Italiana, Bologna, January 23–24, 2016 (photo: Miriam Jones).Anna Schettin, Foundational hand (PDF), Associazione Calligrafica Italiana, Bologna, January 23–24, 2016 (photo: Miriam Jones).Anna Schettin, Foundational hand (PDF), Associazione Calligrafica Italiana, Bologna, January 23–24, 2016 (photo: Miriam Jones).Anna Schettin, Foundational hand (PDF), Associazione Calligrafica Italiana, Bologna, January 23–24, 2016 (photo: Miriam Jones).Chiara Neviani and Stefania Giunchi, Punta tronca (Italic), MODO infoshop, Bologna, March 2, 9, 16, 2016 (photo: Miriam Jones).Chiara Neviani and Stefania Giunchi, Punta tronca (Italic), MODO infoshop, Bologna, March 2, 9, 16, 2016 (photo: Miriam Jones).American calligrapher Michael Sull’s definitive work on Spencerian calligraphy, Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016 (photo: Miriam Jones).From American calligrapher Michael Sull’s definitive work on Spencerian calligraphy, Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016 (photo: Miriam Jones).Examples of addresses from American calligrapher Michael Sull’s definitive work on Spencerian calligraphy, Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016 (photo: Miriam Jones).Examples of envelopes from American calligrapher Michael Sull’s definitive work on Spencerian calligraphy, Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016 (photo: Miriam Jones).Examples of envelopes from American calligrapher Michael Sull’s definitive work on Spencerian calligraphy, Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016 (photo: Miriam Jones).Practice, Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, 3 April 2016 (photo: Miriam Jones).Examples of capital letters, Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, 3 April 2016 (photo: Miriam Jones).Examples of signatures, Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, 3 April 2016 (photo: Miriam Jones).Practice, Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, 3 April 2016 (photo: Miriam Jones).Participants at Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, 3 April 2016 (photo: Miriam Jones).Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016.Spencerian workshop participants Edward Gardner and my calligraphy tutor, Paola Bontadini, at Centro Sociale Giorgio Costa, Bologna, 3 April 2016 (photo: Miriam Jones).Participants at Barbara Calzolari’s Spencerian workshop, Centro Sociale Giorgio Costa, Bologna, April 2–3, 2016.An example of Paola Bontadini’s penmanship (photo: Miriam Jones).Barbara Calzolari and Tiziana Gironi, Dropcaps, MODO infoshop, Bologna, May 6–8, 2016 (photo: Miriam Jones).Barbara Calzolari and Tiziana Gironi, Dropcaps, MODO infoshop, Bologna, May 6–8, 2016 (photo: Miriam Jones).Barbara Calzolari and Tiziana Gironi, Dropcaps, MODO infoshop, Bologna, May 6–8, 2016 (photo: Miriam Jones).Barbara Calzolari and Tiziana Gironi, Dropcaps, MODO infoshop, Bologna, May 6–8, 2016 (photo: Miriam Jones).Barbara Calzolari and Tiziana Gironi, Dropcaps, MODO infoshop, Bologna, May 6–8, 2016 (photo: Miriam Jones).Barbara Calzolari and Tiziana Gironi, Dropcaps, MODO infoshop, Bologna, May 6–8, 2016 Alex Barocco’s workshop on Experimental Brush Pen, Associazione Calligrafica Italiana, Verona, May 21–22, 2016 (photo: Miriam Jones). Alex Barocco’s workshop on Experimental Brush Pen, Associazione Calligrafica Italiana, Verona, May 21–22, 2016 (photo: Miriam Jones). Alex Barocco’s workshop on Experimental Brush Pen, Associazione Calligrafica Italiana, Verona, May 21–22, 2016 (photo: Miriam Jones).Project from Alex Barocco’s workshop on Experimental Brush Pen, Associazione Calligrafica Italiana, Verona, May 21–22, 2016 (photo: Miriam Jones).Barbara Calzolari demonstrates the brush pen, MODO infoshop, Bologna, June 4–5, 2016 (photo: Miriam Jones).Barbara Calzolari’s examples, Brush Pen, MODO infoshop, Bologna, June 4–5, 2016 (photo: Miriam Jones).Sarah Bryant, Introduction to Letterpress Printing, London Centre for Book Arts, London, June 18, 2016 (photo: Miriam Jones).Sarah Bryant, Introduction to Letterpress Printing, London Centre for Book Arts, London, June 18, 2016 (photo: Miriam Jones).Project, Sarah Bryant’s Introduction to Letterpress Printing, London Centre for Book Arts, London, June 18, 2016 (photo: Miriam Jones).Kathy Milici, Divine Flourishes, Society of Scribes, New York, July 24, 2016 (photo: Miriam Jones).Kathy Milici’s examples, Divine Flourishes, Society of Scribes, New York, July 24, 2016 (photo: Miriam Jones).
